He tricks all the hands into jumping off the roof, thus ending the revolution. George has one thing the hands do not: a brain. If Thing from The Addams Family built an army, it would look like Left’s ragtag troop of hands.
George to the hospital and rallies other hands to rebel against their hosts.
QUICKSILVER HIGHWAY MOVIE
In the end, Right severs Left from the body and entrusts him with gathering followers.Īs the movie descends into chaos, Left follows Dr. Unfortunately (but comically), the hands first kill Dr. Right emerges as the leader, while Left willingly follows his plan.
QUICKSILVER HIGHWAY SERIES
George sleeps, “Left” and “Right” plot their escape from his body in a series of hilarious conversations. Whereas King’s chattering teeth are a voiceless entity, the doctor’s hands have distinct personalities. George assumes this mishap is a one-time issue, but things quickly spiral out of control as his hands take on lives of their own. Afterwards, Barker’s character removes his mask, grins at the camera, and says: “What have I ever done to you?”ĭr. Barker plays an anesthesiologist who narrowly misses a flying scalpel thrown by Dr. Although the surgery doesn’t go as planned, fans may notice a brief but memorable cameo from Clive Barker himself. Charles George ( Matt Frewer), a plastic surgeon whose hands fail him during a procedure. When a pickpocket wanders into his tent, Quicksilver takes the opportunity to tell him this tale. But first, the film takes Aaron Quicksilver to the setting he knows best: a carnival tent. Instead of otherworldly beasts, the inhabitants of this tale are beset by their own hands - literally. However, The Body Politic takes his penchant for disturbia to a new level. Clive Barker’s best-known works typically focus on fantastical creatures symbolizing specific characteristics of humanity. While Chattery Teeth highlights an unexpected hero, this story turns something innocuous into something horrific. The second short film adapts Clive Barker’s The Body Politic. Given the teeth’s apparent ability to sense evil, it appears the bride wasn’t bound for marital bliss after all. Then, in a weird but funny moment, audiences see the teeth dragging Kerry’s lifeless body off the highway.
When Quicksilver finishes telling the story, Kerry’s abandoned bride discovers he’s been the victim of a car accident. The same actor plays Bill Hogan and the bride’s husband, Kerry. The anthology uses a subtle trick to tie its framing device into this cautionary tale, and audiences might miss it if they aren’t watching closely. This bizarre children’s toy is evil in its own way, but the film demonstrates that enemies are sometimes friends in disguise. However, the chattering teeth miraculously come to life and save Hogan just in time. After a near-fatal crash, Hogan ends up trapped in his seatbelt while his murderous passenger plots his death. Things seem copacetic at first, but the hitchhiker is a vicious killer who fights Hogan for control of his van. The shopkeep gives him the teeth, and Hogan drives into an impending dust storm with his new treasure.įatefully, Hogan also picks up a hitchhiker. Although the teeth are inoperable, Hogan finds them strangely charming. While the bride’s husband searches for repair help, Quicksilver relays the story of traveling salesperson Bill Hogan ( Raphael Sbarge).Īt a roadside store in the middle of nowhere, Hogan spots a set of wind-up chattering teeth. When they meet, the bride is waiting for her husband to return to their broken-down car. The framing device sets up the story by introducing Aaron Quicksilver to a young bride on the highway. King published this story in 1992, and Quicksilver Highway is its only film adaptation. The first short film adapts Stephen King’s Chattery Teeth. The mysterious performer tells the stories as cautionary tales to people he encounters in his travels. That framing device is Aaron Quicksilver ( Christopher Llyod), a traveling carnival worker who looks like a poster child for the 90s goth aesthetic. Like many anthologies, the film uses a framing device to connect the two stories. Instead, the film is a campy horror-comedy that made body horror more accessible to television audiences. There are no jump scares, boogeymen, or deep psychological terrors. Quicksilver Highway isn’t a scary movie in the traditional sense. However, whether or not it succeeded in this aim is debatable. In an era when many horror fans got their fix via Tales From The Crypt, this anthology had an opportunity to use its format to compare King and Barker’s styles. Quicksilver Highway is a made-for-TV double-feature that highlights two lesser-known stories by the literary titans. Stephen King and Clive Barker conquered the horror genre independently, but one 1997 omnibus film sought to combine their visions.
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